You’re the best kid in the world.
Fast, fast, fast, quick, quick, quick, quick, quick, and more frequent.
This summer, a group of post-00 short-time actors came together and became new to the market. In ’06, Yang Zheng, ’04, ’02, ’02, ’02 Boys who wear school uniforms, who can act as school Pure Love, and those who wear suits who can act as urban masters, are rapidly becoming the backbone of the short opera market with lower age thresholds and higher growth potential.
In the young industry of the short play, young actors are the microcosm of the fast-temporal industry. Their accelerated growth is both an expression of an individual’s grasp of opportunities in times of opportunity and a corollary to industry development.
The kid in the short play is new.
New kids have a lot of taste and style.
At present, there are children with family names in the short play market, and Yang Yi, born in August 2006, is the youngest. As a minor, Yang Zheng has begun to film a short play and is now 19 years old and a senior. The red fruit shows that he’s been in 28 short plays and has been on various subjects such as campuses, cities, antiques, etc.
Before, Yang used to smoke high-age male roles like “Seeno” and “Doggy Catch Butterfly” and he began to play a more mature older man’s part. And in his partner’s little billion-dollar show, “Train the Field,” his people went through a transition from a poor man to a big wolf dog.
Yang Zheng is a very deep-seated figure, and at first glance a few of Song Weilong’s and Lee Dong Wuk’s shadows, and a few of his maturity after combing his hair to look like an adult.
The year of kinghood, born in 2004, will soon be completed. It is not long after the transition to short play. Although at this stage the work is relatively small, the status of the original footballer, together with his high-profile white hair in ” The father of the reborn child is a white-haired boy ” , is currently well discussed.
Lee Roo-hyun, born in 2003, with a little baby fat and an innocent eyelid, is a classic, young, young, young and young dog, and natural for a sister-in-law, and is better off dressed as an old-fashioned son-in-law or a sick prince. Lee Roo-hyun’s appearance is more elegant, as well as a powerful warlord, who has broken the comfort zone and broken into the comfort zone.
Born in 2002, Chen Yum is a rare, single-eyed handsome man and, at this stage, the top of a short-duration costume. He played in “The Two Powerful Powerful King’s Invisibility for Me” and the cold-faced King’s War on the Northside in “The Longevity for My Life” and recently in “The Deep Locking of the Spring ” , the King Regent of the Green Tea.
There are fewer urban works than in the cosmopolitan cosmopolitan areas, and the best resonance is the doctor’s ” Night To Love” with a sense of scoundrel.
The wings, which were born in 2001, appear to have a solar style. He looks like a pure sun, but he’s good at acting all kinds of moist, deviant and paranoid, and he’s the first man on the current short-lived loony track. In the new play ” No drugs to get better ” , he acts as the heir to a financial warlord who suffers from a variety of mental disorders, stretches his own psychiatrists to the limit, so that he can feel the darkness of the disease.
Also born in 2001, Wang Bae-yun went out of town with a blue-haired school in ” Grandmother of the 18-year-old ” . In addition to being disciplined by the Grandmother, Wang Peyen-Zagen, he also played a second-generation role in ” Her Ladyship for Disorder ” , ” 80 Sisters for Life ” , and was good at being disciplined by a tough wife, and the magic pill was transformed into a pearl with a light sense of joy.
The man, Oh Tim Hao, was also a child born in January 2001 in Gangnam Times. The Gangnam Time Festival is a twin-minded, intellectual-style sister-in-law, and Wu Tung Hao’s man is a rich bastard who seems to be a gentle and unscathed man, and a gold-carded lawyer who fights for wisdom.
In addition, Xiao Wen-woo, Lin Zheng-hye in 2004, Li’s literature in 2002, Li Qian, and so on, even Ko Zheng, the top of the country, has been taken over by his brother.
Short-time actors are running.
Compared to short play brothers, who were able to play the leading actor after the long play, they now come and go back and forth like Wang Chong, Chen Fei-woo, Zhou Yiran, and Zhou Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zheng Zhu Zheng Zheng Zheng Zheng Zheng Zheng Zhu Zhu Zhu Zhu Zhu Zhu Zhu Zhu Zheng Zhu Zhu Zhu Zhu Zheng Zhu Zhu Zhu Zhu Zhu Zhu Zhu Zhu Zhu Zhu Zhu Zhu Zhu It is also possible to include Chen Xiaohai, who has played two men and three men in a number of antiquated dramas, such as Ink Clouds, Qianxi, and Song Zhui’s cousins, who are currently working with Li Yi Yi Yi Yi, as the lead man’s work, The Guérée Revival.
The resources of the long opera are concentrated in head-production companies and front-line stars, and the newbies will have to wait long periods of time to get an opportunity, and it will take between one and two years and even longer to make the baby brother an adult. Long-cycle, high-threshold, strong-casus, slow-transmission industrial logic limits their growth.
On the contrary, the short play platform has dozens of new plays on the line each month, requiring a large number of actors to fill in and lower the entry threshold.
There is a growing trend towards the rejuvenation of the users of the short-time drama, with a higher female audience, with the most popular topics that cater to their needs, such as pure school love, sweet love and low-life love, and the role-setting that naturally requires a sense of adolescence. And at the same time, the new generation of young actors, mostly with high legs, wears a suit to play a more mature hegemonic, and of course, it’s only natural.
In addition, an increasing number of post-95 and post-00 creators are entering the industry, and their selection is based on a natural preference for younger faces, coupled with the short-time production cycles, low production costs, lower test costs for new producers, and a greater willingness to bet on new ones, giving more children and boys a chance.
The long-time audience looks at dozens of episodes, has a high demand for the performance stability of actors, while the short-time audience values the attraction of the first look, the sense of the moment and the atmosphere, and a small amount of high-light footage is enough to get actors out of the ring, and the demand for acting is low.
Thus, professional acting training is less important for short-time actors at this stage, and they also save four years of study and performance in professional colleges compared to the long-time performer’s test – going into North Electric.
Of course, too young is not uncontroversial. Yang Zheng is a senior student, who spends too much time on short plays and is repeatedly advised by his fans, and is encouraged by the people of the country to go to higher educational institutions with a view to putting money on the stage. But there is a consensus that the short play market is highly competitive, that actors have a strong face, that Koo-sun is now the last flower of the day, and that once ordinary fire-showers stop and study, they will soon be replaced by new children.
In the young industry of short play, where youth is the advantage, it is inevitable that there will be more kids and boys who will run, but how to get even further on this track is a common problem for them.
